Notícias
09-04-2013 :: IFPI divulga Balanço Fonográfico Mundial – 2012
O anuário apresenta estatísticas e dados de mercado referentes ao ano de 2012 em 49 países, fornecendo uma visão abrangente das principais tendências no mundo dos negócios atuais da música mundial.
Entre os destaques da edição deste ano temos o papel dos serviços de assinatura de música online e a contribuição dos mercados emergentes no processo de recuperação da indústria fonográfica mundial. Brasil, Índia e México registraram crescimento dos seus respectivos mercados desde 2008. No Brasil esse crescimento foi de 24% (de
Os canais digitais já representam 35% das receitas globais da indústria fonográfica, enquanto as vendas físicas representam 57% dos rendimentos do setor.
Serviços de assinatura de música e de streaming estão em franca ascensão e já representam 20% das receitas digitais no mundo, contra 14% em 2011.
Entre os 20 maiores mercados de música no mundo, o Brasil se manteve na 8ª posição do ranking.
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| TOP 20 MUNDIAL – 2012 |
| 01 | Estados Unidos |
| 02 | Japão |
| 03 | Reino Unido |
| 04 | Alemanha |
| 05 | França |
| 06 | Austrália |
| 07 | Canadá |
| 08 | Brasil |
| 09 | Itália |
| 10 | Holanda |
| 11 | Coréia do Sul |
| 12 | Suécia |
| 13 | Espanha |
| 14 | Índia |
| 15 | México |
| 16 | Suíça |
| 17 | Bélgica |
| 18 | Noruega |
| 19 | Áustria |
| 20 | China |
A seguir, o release, em inglês, divulgado pela IFPI.
PRESS RELEASE
IFPI’S RECORDING INDUSTRY IN NUMBERS 2013 – THE MUST-READ OF GLOBAL MUSIC – PUBLISHED TODAY
Published today by IFPI, Recording Industry in Numbers (RIN) provides a comprehensive picture of the key trends in today’s global music business, with in-depth statistics and analysis covering 49 markets worldwide. The book is simultaneously available digitally today in English, Spanish and Mandarin.
Introducing this year’s RIN, IFPI CEO Frances Moore says: “This is a must-read publication for anyone following the global music industry. It is packed with the latest data and analysis, broken down by formats, revenue streams, regions, countries and many other categories.
“Recording Industry in Numbers also reveals the sheer diversity of the modern music business. Notable highlights in this year’s edition are the increasing role of subscription services and the growing importance of emerging markets in driving the industry’s recovery.”
Among the finalised industry data published in this year’s edition:
· Overall global recorded music trade revenues increased by 0.2% in 2012, the first year of growth since 1999. All the revenue streams IFPI tracks (physical, digital, performance rights and synchronisation revenues), with the exception of physical sales, increased in
· The world’s top 20 markets table shows that the US remains the world’s largest music market; digital sales success in Sweden has made that country the world’s 12th largest music market (up two places on 2011); India has also moved up the rankings.
· Digital channels now account for 35% of overall industry trade revenues, while physical sales now represent 57% of record companies’ income. Downloads remain the biggest source of digital revenues, with combined unit sales of track and album downloads up by 11% in 2012.
· Music subscription services are seeing rapid growth. Music subscription and ad-supported streaming services now account for 20% of digital revenues globally, up from 14% in 2011. Subscriptions and ad-supported revenues combined now account for almost one third (31%) of all digital music revenues in
· Emerging markets are helping fuel the industry’s recovery.
· Albums continue to hold their appeal, accounting for 56% of recorded music sales value. Digital album downloads grew faster than singles and vinyl sales hit their highest point since 1997. Consumer usage on streaming services shows that the album format remains very relevant. Many of the year’s best-selling albums generated a large streaming volume across all tracks included on the album.
· Other sources of music licensing income are also on the rise. Performance rights revenues (from broadcasts and public performance) were the fastest growing sector in the recording industry in 2012, accounting for 6 per cent of recorded music revenues. Revenues grew by 9.4% globally, to US$943 million. Income from synchronisation deals – music used in TV adverts, films and brand partnerships – were also up. These grew by 2.1% to US$337 million in 2012.
The report also features:
· Global 2008-2012 trade revenue figures
· Historic global sales trends
· Consumer research insights from Ipsos MediaCT
· Analysis of key industry trends, with quotes from leading industry executives
· Exclusive analysis from Spotify about album consumption in a streaming environment
· Bestsellers of 2012
· IFPI Platinum Europe Award winners
· Regional overviews
· Detailed analysis of 49 music markets, covering developments in physical, digital, performance rights and synchronisation revenues
Recording Industry in Numbers 2013 can be purchased from IFPI’s website. Full details of packages and prices can be found http://www.ifpi.org/RIN
For further information please contact Adrian Strain or Alex Jacob
Tel. +44 (0)20 7878 7939 / 7940
Notes to editors: About IFPI
IFPI is the organisation that promotes the interests of the international recording industry worldwide. Its membership comprises some 1,400 major and independent companies in more than 64 countries. It also has affiliated industry national groups in 55 countries. IFPI’s mission is to promote the value of recorded music, safeguard the rights of record producers and expand the commercial uses of recorded music in all markets where its members operate.